The focus of this class is to engage in ideas of ritual, the divine, and the potential of the body as a vehicle to connect beyond our own ego or personality to something which we can feel as a collective and dynamic body, that arises out of the particular alchemy of the individuals in the room.
3 Movement Rituals:
Allow the duration of these actions to bring us into listening to our bodies' individual desires of movement. Follow a solo exploration of listening and letting our mind's eye take a ride in our bodies. Periodically take a snap shot with the mind's eye of the action/movement the body is generating. Accumulate snap shots. Return to the snap shots in the body by repeating them physically, eventually linking them together to form a sequence of events. Repeat the sequence until the body feels it as a cyclical ritual of actions.
A soloist performs their ritual as a continuous cycle for the group, until the group/witness understands the ritual. The group then replays the cyclical ritual exactly, but as a group, negotiating a collective memory, and emanating the quality, energy, speed and dynamics of the soloist. The group continues to repeat until the soloist, now the witness, feels and sees the ritual performed as a collective body.
Texts + Reading:
Read the texts as a collective. Read out loud and as a group. Interrupt. Overlap. Mesh. Speak and listen at the same time. Feel the sensuality of the words as they are spoken and heard.
“The ritualistic form treats the human being not as the source of the dramatic action, but as a somewhat depersonalized element in a dramatic whole. The intent of such depersonalization is not the deconstruction of the individual; on the contrary, it enlarges him beyond the personal dimension and frees him from the specializations and confines of personality. He becomes part of a dynamic whole which, like all such creative relationships, in turn, endow its parts with a measure of its larger meaning.”
An Anagram of Ideas on Art, Form, and Film, Maya Deren
“I think little and therefore understand everything I feel. I am feeling in the flesh and not intellect in the flesh. I am the flesh. I am the flesh. I am the flesh and not intellect in the flesh. I am the flesh. I am feeling. I am God in the flesh and in feeling. I am man and not God. I am simple. “
“Camouflage is a hypocritical principle. I am a principle. I am the truth. I am conscience. I am love for everyone. I do not want bandits to be put in prisons or killed. A bandit or a thief is not a terrible thing. I am not afraid of bandits. I am afraid of revolvers. I know that everyone was a revolver during the war of the entire world of the terrestrial globe. I know that everyone was a bandit, I know that the government defended bandits because the banditry of governments is protected by governments. I know that God does not protect the government of those who make war. I know that God wanted this war. I know that God does not want wars and therefore sent terrors on men. I am a bandit myself because I kill my brain. I do no want intellectualization. I want rationality. I like intelligent people and therefore will not kill them with a revolver. I am not a revolver. I am God. I am love.”
The Diary of Vaslav Nijinsky
"How does Spinoza define a body? A body, of whatever kind, is defined by Spinoza in two simultaneous ways. In the first place, a body, however small it may be, is composed of an infinite number of particles; it is the relations of motion and rest, of speeds and slownesses between particles, that define a body, the individuality of a body. Secondly, a body affects other bodies, or is affected by other bodies; it is this capacity for affecting and being affected that also defines a body in its individuality. These two propositions appear to be very simple; one is kinetic and the other, dynamic. But if one truly installs oneself in the midst of these propositions, if one lives them, things are much more complicated and one finds that one is a Spinozist before having understood why."
Spinoza: Practical Philosophy, Gilles Deleuze
+ Kandinsky poems - Water, Sound, Exit
* This particular movement action is inspired by Emio Greco.
3 Movement Rituals:
- Grounding ritual. Juicing the repetitive action of bending and straightening the legs, allowing the whole body to respond and echo the action. Pressing away & surrendering to gravity in a cyclical pattern. Letting the bodies repetition reveal the particular qualities, textures, speeds, and desires of the individual body. Staying with the heart of the action to notice and allow for subtle and gross shifts to occur in rhythm, quality, tone. Feeling the desire of the body as a dynamic and fluid state. Stay with.
- Hugging ritual. A duet. Noticing and feeling the particular alchemy of two bodies meshing together. Repeat several times.
- Throwing | Shucking - Levity ritual.* Repetition of replacing one foot with the other on the floor in the center axis of the body, while kicking with the free leg outward and away, letting the spine, torso, arms, and head respond to the action. It outwardly looks like a jump of switching the legs. Finding the bodies logic of the movement and slowly increasing speed. Stay with for 10-15 minutes. Allowing the body to influence and be influenced by the energy of other bodies. Slowly disintegrate the action into a walk and then to stillness. Eventually bring hand to heart to listen and feel the bodies' particular heat, rhythm, and energy.
Allow the duration of these actions to bring us into listening to our bodies' individual desires of movement. Follow a solo exploration of listening and letting our mind's eye take a ride in our bodies. Periodically take a snap shot with the mind's eye of the action/movement the body is generating. Accumulate snap shots. Return to the snap shots in the body by repeating them physically, eventually linking them together to form a sequence of events. Repeat the sequence until the body feels it as a cyclical ritual of actions.
A soloist performs their ritual as a continuous cycle for the group, until the group/witness understands the ritual. The group then replays the cyclical ritual exactly, but as a group, negotiating a collective memory, and emanating the quality, energy, speed and dynamics of the soloist. The group continues to repeat until the soloist, now the witness, feels and sees the ritual performed as a collective body.
Texts + Reading:
Read the texts as a collective. Read out loud and as a group. Interrupt. Overlap. Mesh. Speak and listen at the same time. Feel the sensuality of the words as they are spoken and heard.
“The ritualistic form treats the human being not as the source of the dramatic action, but as a somewhat depersonalized element in a dramatic whole. The intent of such depersonalization is not the deconstruction of the individual; on the contrary, it enlarges him beyond the personal dimension and frees him from the specializations and confines of personality. He becomes part of a dynamic whole which, like all such creative relationships, in turn, endow its parts with a measure of its larger meaning.”
An Anagram of Ideas on Art, Form, and Film, Maya Deren
“I think little and therefore understand everything I feel. I am feeling in the flesh and not intellect in the flesh. I am the flesh. I am the flesh. I am the flesh and not intellect in the flesh. I am the flesh. I am feeling. I am God in the flesh and in feeling. I am man and not God. I am simple. “
“Camouflage is a hypocritical principle. I am a principle. I am the truth. I am conscience. I am love for everyone. I do not want bandits to be put in prisons or killed. A bandit or a thief is not a terrible thing. I am not afraid of bandits. I am afraid of revolvers. I know that everyone was a revolver during the war of the entire world of the terrestrial globe. I know that everyone was a bandit, I know that the government defended bandits because the banditry of governments is protected by governments. I know that God does not protect the government of those who make war. I know that God wanted this war. I know that God does not want wars and therefore sent terrors on men. I am a bandit myself because I kill my brain. I do no want intellectualization. I want rationality. I like intelligent people and therefore will not kill them with a revolver. I am not a revolver. I am God. I am love.”
The Diary of Vaslav Nijinsky
"How does Spinoza define a body? A body, of whatever kind, is defined by Spinoza in two simultaneous ways. In the first place, a body, however small it may be, is composed of an infinite number of particles; it is the relations of motion and rest, of speeds and slownesses between particles, that define a body, the individuality of a body. Secondly, a body affects other bodies, or is affected by other bodies; it is this capacity for affecting and being affected that also defines a body in its individuality. These two propositions appear to be very simple; one is kinetic and the other, dynamic. But if one truly installs oneself in the midst of these propositions, if one lives them, things are much more complicated and one finds that one is a Spinozist before having understood why."
Spinoza: Practical Philosophy, Gilles Deleuze
+ Kandinsky poems - Water, Sound, Exit
* This particular movement action is inspired by Emio Greco.
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