Mission
I am an independent dance artist interested in generating dialogue through performance, teaching, and community driven collaborations. Focusing on bridging gaps between disciplines such as dance and science, I employ the use of magical thinking to shift ways of seeing and understanding through earnest curiosity and humor.
I am an independent dance artist interested in generating dialogue through performance, teaching, and community driven collaborations. Focusing on bridging gaps between disciplines such as dance and science, I employ the use of magical thinking to shift ways of seeing and understanding through earnest curiosity and humor.
Biography
Beth Graczyk is a Brooklyn-based choreographer, performer and a scientist. Graczyk concocts sensation-based worlds built by observing and amplifying the hidden, the unseen, and the ignored, in an attempt to bring into focus peripheral stories, spaces, and ideas. She enmeshes herself and the audience as, simultaneously, active participants and outside observers, through the interplay between the imagination, the human body, and inanimate objects. Graczyk has performed throughout the United States and internationally in Japan, Ecuador, France and India for the past 17 years. Concurrently, she has contributed to 10 science publications in the field of cancer research. She co-directed the performance company Salt Horse in Seattle with Corrie Befort and Angelina Baldoz from 2008-2016. After moving to NYC 3.5 years ago, Graczyk launched a solo project called Desire Motor, a series of 12 solos. The inaugural solo Beast, was produced by Gibney’s Work Up 3.0 program, and presented through Movement Research, CPR's Spring Movement Festival, Greenspace and toured to the Harrisburg Dance Festival (PA) and Corridor Festival (WA). Her 2nd solo, One of You Is Fake, was presented by La MaMa Moves Festival in 2017, and supported through a Marble House Residency in Dorset, Vermont and the NAP program in Kutztown, PA. This past fall and winter, One of You Is Fake was selected for Oye Group’s Avant-Garde night, Movement Research at the Judson Church, and the 2018 One Catches Light Festival at Jack in Brooklyn. Different versions of her most recent solo, Thirst, will be presented through Pioneers Go East Collective at Judson Art Wednesdays October 17th and at CPR Open House November 13th. Graczyk has had the privilege of performing as a dancer for many incredible choreographers including Raja Kelly, Sara Shelton Mann, Mark Haim, Molly Scott, K.J. Holmes, and most recently for Jen Salk/Chase Angier in Aix en Provence, France. Graczyk works part-time as a Research Specialist at Rockefeller University.
Beth Graczyk is a Brooklyn-based choreographer, performer and a scientist. Graczyk concocts sensation-based worlds built by observing and amplifying the hidden, the unseen, and the ignored, in an attempt to bring into focus peripheral stories, spaces, and ideas. She enmeshes herself and the audience as, simultaneously, active participants and outside observers, through the interplay between the imagination, the human body, and inanimate objects. Graczyk has performed throughout the United States and internationally in Japan, Ecuador, France and India for the past 17 years. Concurrently, she has contributed to 10 science publications in the field of cancer research. She co-directed the performance company Salt Horse in Seattle with Corrie Befort and Angelina Baldoz from 2008-2016. After moving to NYC 3.5 years ago, Graczyk launched a solo project called Desire Motor, a series of 12 solos. The inaugural solo Beast, was produced by Gibney’s Work Up 3.0 program, and presented through Movement Research, CPR's Spring Movement Festival, Greenspace and toured to the Harrisburg Dance Festival (PA) and Corridor Festival (WA). Her 2nd solo, One of You Is Fake, was presented by La MaMa Moves Festival in 2017, and supported through a Marble House Residency in Dorset, Vermont and the NAP program in Kutztown, PA. This past fall and winter, One of You Is Fake was selected for Oye Group’s Avant-Garde night, Movement Research at the Judson Church, and the 2018 One Catches Light Festival at Jack in Brooklyn. Different versions of her most recent solo, Thirst, will be presented through Pioneers Go East Collective at Judson Art Wednesdays October 17th and at CPR Open House November 13th. Graczyk has had the privilege of performing as a dancer for many incredible choreographers including Raja Kelly, Sara Shelton Mann, Mark Haim, Molly Scott, K.J. Holmes, and most recently for Jen Salk/Chase Angier in Aix en Provence, France. Graczyk works part-time as a Research Specialist at Rockefeller University.
Desire Motor:
An NYC-based performance project.
Thirst, 2018
In Thirst, Penelope Penelopinski, a shape-shifting femme queer, works to vivify the necessity of her own body through circuitous and sometimes dangerous paths. If you were a succulent or a tulip-human hybrid species what would your body look and feel like? How would your existence as a plant-human shift your perception and capacity for survival and adaptation? Nodding to popular future visions including machine-modified and synthetic bodies, Penelope explores an alternate future, stretching the possibilities of the body through a playful reverence to the natural world. Thirst grapples with the paradox of emergent isolation and accelerated desires for connection.
One Of You Is Fake, 2017
One of You Is Fake is the second solo in Graczyk’s performance series Desire Motor following her inaugural solo Beast. Unfolding as a precariously optimistic look at the future of mankind, Graczyk engages with mundane and exquisitely made objects to question our collective participation in the erosion of the physical, sensual, and material world. Part science lecture, part song, One of You Is Fake accumulates physical movement through examining the process of formation, highlighting shifts between the natural and synthetic. Written and performed by Beth Graczyk with a performance cameo by Lindsay Head. Sound design by Cameron Shafii, visual design elements by Steven Berardelli, and costume design by Asa Brown Thornton.
Beast, 2016
A series of physical micro-worlds emerge and dissolve in Graczyk's inaugural solo, BEAST. Humorous, absurd, and as unstable as a live wire, Graczyk guides us with peculiar and detailed logic through a seemingly empty room. Human interactions and objects become necessary partners in bringing forth the unseen as we follow Graczyk's journey of revelation, rejection and carnal need, vividly etched through the labor of her imagination. BEAST is the first solo for Graczyk's larger body of work: Desire Motor which embodies the dissonances arising between internal wants and external realities.
An NYC-based performance project.
Thirst, 2018
In Thirst, Penelope Penelopinski, a shape-shifting femme queer, works to vivify the necessity of her own body through circuitous and sometimes dangerous paths. If you were a succulent or a tulip-human hybrid species what would your body look and feel like? How would your existence as a plant-human shift your perception and capacity for survival and adaptation? Nodding to popular future visions including machine-modified and synthetic bodies, Penelope explores an alternate future, stretching the possibilities of the body through a playful reverence to the natural world. Thirst grapples with the paradox of emergent isolation and accelerated desires for connection.
One Of You Is Fake, 2017
One of You Is Fake is the second solo in Graczyk’s performance series Desire Motor following her inaugural solo Beast. Unfolding as a precariously optimistic look at the future of mankind, Graczyk engages with mundane and exquisitely made objects to question our collective participation in the erosion of the physical, sensual, and material world. Part science lecture, part song, One of You Is Fake accumulates physical movement through examining the process of formation, highlighting shifts between the natural and synthetic. Written and performed by Beth Graczyk with a performance cameo by Lindsay Head. Sound design by Cameron Shafii, visual design elements by Steven Berardelli, and costume design by Asa Brown Thornton.
Beast, 2016
A series of physical micro-worlds emerge and dissolve in Graczyk's inaugural solo, BEAST. Humorous, absurd, and as unstable as a live wire, Graczyk guides us with peculiar and detailed logic through a seemingly empty room. Human interactions and objects become necessary partners in bringing forth the unseen as we follow Graczyk's journey of revelation, rejection and carnal need, vividly etched through the labor of her imagination. BEAST is the first solo for Graczyk's larger body of work: Desire Motor which embodies the dissonances arising between internal wants and external realities.
Photo credit: Effy Grey | Effyography
Sound Score for Beast: Spare Death Icon (Jason E Anderson), 'Foreign Relaxation Technique', 2011